It is truly remarkable that this film, whose subject is always implied but never mentioned by name, can have such a strong impact on a viewer who has grown up in a much less restricted era of movie-going.
Despite this unrelentingly close experience of events, a number of self-conscious shots in which we only see the back of main actress Denise Newman’s head, and a story that is very simple, first-time director Hermanus succeeds in gripping his audience thanks to his self-assured direction that steers the film away from any fake sentimentality.
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