This medium-length film is interesting on many levels, and while the action transcends mere slapstick, Keaton’s conception of the film’s biggest stunts makes for remarkable commentary on the perspective of the viewer.
Despite this unrelentingly close experience of events, a number of self-conscious shots in which we only see the back of main actress Denise Newman’s head, and a story that is very simple, first-time director Hermanus succeeds in gripping his audience thanks to his self-assured direction that steers the film away from any fake sentimentality.
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